Chocolat (2000) directed by Lasse Hallström tells the story of a insular French village in the late 1950s that finds it’s conservative attitudes and morality challenged when a young single mother and her child come to town and open a Chocolateir.
Juliette Binoche’s character Vianne quickly becomes the lightning rod of the community, first by befriending the “outcasts” of the community and drawing the ire of the more “respectable” citizens like the uptight Comte de Reynaud (Alfred Molina) who’s busy trying to protect his public image and the Serge Muscat (Peter Stormare) who abuses his wife Josephine (Lena Olin).
The film does a good job ratcheting up the tension as the forces align against Vianne, culminating with a visit from a group of Irish gypsies which includes Depp’s character Roux. Watching Depp’s performance was bit cringe-worthy for me, not in the acting per se, but rather his accent. The Irish accent sounds somehow mangled to me and in retrospect like a bad parody of Depp’s later character Capt. Jack Sparrow. The chemistry between the two actors (Binoche and Depp) is good and the smouldering attraction between the two characters is well done.
I remember the film when it was first released being talked about as one of those “hot” Johnny Depp movies, which seemed strange to me at the time. I’d never thought of him as sex symbol, and frankly most of the roles I had seen him in up to that point where not traditional “sexy” roles (Edward Scissorhands, Ed Wood, Fear and Loathing in Las Vegas). After watching this movie, a light suddenly went on and I could see what the women were talking about.
Depp’s role, while relatively small in the context of the film, is pivotal. The carefree and almost hedonistic nature of the gypsies is too much for the village to take and the town turns on them. Without giving too much away, there are a number of characters whose lives begin to unravel as they must come to terms with the choices and relationships they have built for themselves.
There are so many great characters and actors in the story. There’s Judi Dench as the ailing matriarch who is being kept from her grandson by the boy’s mother played by Carrie-Anne Moss. There’s the young parish priest, played by Hugh O’Conor who’s own lust for life is being stifled by the Church and the community’s demands of him. There’s also Vianne’s daughter Anouk and the toll the lifestyle they have chosen is having on her coming of age. The movie held up watching it 10+ years later and despite Depp’s accent it’s worth a look.
Great review. It’s funny, I never thought of Depp’s accent in Chocolat as Irish (although in retrospect it was) I just considered it was another one of the awful “foreign” or “exotic” cobbled together accents he affected.
I never got the frenzy around Chocolat, while it was a good enough movie (great cast, Dench, Moss, Molina, Olin – *swoon*) I certainly didn’t consider it, risqué or edgy… it was good though.
Glad you liked the review. I was a little worried considering I rewatched it two months ago and only now got around to writing the review.
I need to write a review for Transcendence now. I saw it a couple of weeks ago in theatres.